by Lana Lynne on October 4, 2012
Most animal lovers, at some point or another, have probably come up against the anti-anthropomorphism argument, most likely when they are sharing some tedious detail from their pet's daily lives with a hyper-rational-minded friend, who refuses to believe that your cat cries for anything other than base survival needs. But, as any animal lover will tell you, not attributing human characteristics to animals is virtually impossible, seems sort of pointless, and makes for a rather empty emotional world.
Thankfully, there have been some changes in animal behavior research that sets aside the taboo on anthropomorphism and looks at animals through a human lens. Take a look at this New Inquiry interview with Laurel Braitman, a science historian doing just that in her work on animal personality and taste. On the subject of the taboo, Braitman says, "Anthropomorism – the ascription of human characteristics to other
animals – has been problematized for a long time, certainly within the
behavioral sciences. I think it’s high time we do away with the taboo.
Some of the people doing the most interesting work about other animal
minds have already done this, because it’s limiting. It’s impossible to
look at them without using a human mind. If we’re trying to understand
the behavior of another animal who is in some ways very similar to us
and we refuse to use our own experience as a place to come from, I think
that’s actually poor science. If we’re looking at a gorilla and that
gorilla is acting sad in some of the same ways that we know ourselves to
act sad, then refusing to acknowledge that link makes us less apt to
understand the gorilla at hand."
The Growth and Breadth of Campus Activism
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| In the Neoliberal Society, students get pepper-sprayed in the name of debt and greed. Image courtesy of Lucas Kretch. |
by douglas reeser on October 2, 2012
I recently wrote about the lack of activism and protests in southern Belize, while people elsewhere around the globe have been mobilizing against what could be characterized as the Neoliberal Society. Many may remember the original George Bush espousing the benefits of a "New World Order" (NWO), and such has come to pass. The form of this NWO has been shaped by neoliberal policies enacted the world over, and generally accepted to have been started during the Reagan and Thatcher years (during which GW the First served as Vice President).
Briefly, in the years since the 1980, huge sums of money have been loaned to governments around the world (both developing and developed nations), on terms that required the creation and maintenance of a favorable business environment, while severely limiting government-provided social services. Such terms allowed for the rapid expansion of global manufacturing and commerce at the expense of the health and livelihood of literally billions of people.
Having been in a rural and fairly isolated part of the globe for the better part of the last year and a half, I didn't always catch everything that was happening in the movement to counter this new Neoliberal Society. When I have the chance, I do some online searching for updates and news to try to keep abreast of actions in an attempt to develop my understanding of what's actually going on out there. In my most recent perusal, I found an informative article by Edna Brophy in Briarpatch Magazine titled The Combustible Campus: From Montreal to Mexico City, something is stirring the University.
Mrs. Robinson ~ Winner, Best Belizean Film 2012
by douglas reeser on September 23, 2012
As many of our more regular readers know, I have spent most of the last year and half living in the southern-most district of the small Central American/Caribbean nation of Belize. A little earlier this summer was the 7th annual Belize International Film Festival, and while I was unable to attend in person, a number of the shorter films can be seen online. Mrs. Robinson is "one woman's story of her return to the beginning" - a short (15 minutes) film by Tom Hines about reflecting on a life spent in Belize. It was the winner of Best Belizean Film of 2012 in this year's festival. Enjoy!
As many of our more regular readers know, I have spent most of the last year and half living in the southern-most district of the small Central American/Caribbean nation of Belize. A little earlier this summer was the 7th annual Belize International Film Festival, and while I was unable to attend in person, a number of the shorter films can be seen online. Mrs. Robinson is "one woman's story of her return to the beginning" - a short (15 minutes) film by Tom Hines about reflecting on a life spent in Belize. It was the winner of Best Belizean Film of 2012 in this year's festival. Enjoy!
From the festival site:
"A documentary about one woman’s return to her country of her birth after living abroad in Belize, Central America for 56 years, this is the story of her return to the beginning. The main and only character is Mrs. Patricia Robinson, [Thomas Hines’s] grandmother, and a woman who inspires [him] to keep on keeping on. She has made a very big change at the age of 83 and decided to return to England because she wants to pass away there, where her mother, brother and sisters have died before her. In returning to England, the country of her birth and youth, she must say good-bye to the country of her husband’s birth, where she lived with him for many years until he sadly passed away when she was 60; her many friends who she became very close with over the years she spent there; and the lifestyle that she had become accustomed to for so many years. In doing this though she will fulfill her wish, which is to die in the place of her birth."
Consumption Junction :: Speaking with Ghosts: Literature in a Culture of Me
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| Image courtesy of digitaltrends.com |
My copy of the Norton Anthology of English Literature, bought for a pretty penny for a freshman English class I don’t remember, is littered with half-formed thoughts jotted in the margins. At first, I only used pencil for these little notes – thinking that my take on something written anywhere from 50 to 300 years ago clearly did not qualify as canonical as what was printed. In grad school, my thinking must have changed, because when I cracked open the Anthology again (instead of buying another copy of the assigned T.S. Eliot’s "The Wasteland"), my comments were written in pen. At that point, I must have figured, my thoughts qualified for more permanency. I was more confident that what I had to say about Eliot’s poem would not cause fits of hysterical laughter from someone who might be reading over my shoulder.
This fall marks the 50th anniversary of the Norton Anthology of English Literature, and in an interview in the New York Times, founding editor M.H. Abrams and current editor Steven Greenblatt celebrate the joys of a life enriched by literature. When asked the question, "Why study literature?," they both wax poetic. For Abrams: "Ha — Why live? Life without literature is a life reduced to penury. It expands you in every way. It illuminates what you’re doing. It shows you possibilities you haven’t thought of. It enables you to live the lives of other people than yourself. It broadens you, it makes you more human. It makes life enjoyable." And for Greenblatt: "Literature is the most astonishing technological means that humans have created, and now practiced for thousands of years, to capture experience. For me the thrill of literature involves entering into the life worlds of others. I’m from a particular, constricted place in time, and I suddenly am part of a huge world — other times, other places, other inner lives that I otherwise would have no access to." What they both get at, but don’t say, is that literature helps us think critically. By expanding your worldview, or by traveling to the past, or by living other people’s lives for awhile, our brains are exercised in ways that they wouldn’t otherwise be. Our little comments in the margins, no matter how obvious or insignificant or ground-breaking, for that matter, are evidence that we are thinking in new ways.
Views from the ANThill: Where are the Activists?
| The town square is filled with parades and parties throughout the year, but never with any protestors. Why? photo by douglas c reeser |
On a recent morning, while writing at my computer and having
some coffee, I received a surprising text message from a good friend. It read,
“Belize Lodge burned last night! Folks can have a pretty nasty way of settling
conflicts.” She was referring to a
foreign owned eco-lodge in a nearby village in which I have conducted research
for a number of years. The lodge had fallen into financial difficulties over
the past year or two, and owed back wages to many of its workers. Local authorities
became involved and assisted in the negotiation of a payment plan to ensure
workers would receive what was owed to them. It’s unclear what transpired after
that, but less than a month later, parts of the lodge were set on fire and
burned to the ground.
This wasn’t the first time I had heard of people here
resorting to the use of flame to settle differences. In September 2010, a
nearby group of villagers torched a foreign-owned crocodile sanctuary. Two
local children had gone missing, and rumors spread that they had been fed to
hungry crocs. Without an investigation, villagers decided to burn the sanctuary
and chase the owners from the region. These and other stories I have heard tell
me that the use of fire, while extreme, is one form of protest that people
resort to here.
First Friday Picture Show: Positive Visual Attention Intervention by Joe Castro
Joe Castro is an accomplished Philadelphia-based artist, musician and graphic designer. His paintings and collages have been exhibited in galleries and art spaces across the United States and Canada, and have been described as "intelligent and brooding...the subjects are often just a little-bit skewed -- leading you to take a deeper look." When not making art, he is also the guitarist/singer for the indie garage rock three piece, The Lift Up. For more information, please visit mightyjoecastro.com. For now, enjoy his artwork for this month's First Friday Picture Show!
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| Tornado Alley (mixed media collage on paper, 13" x 15" July 2012) |
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| Grip (oil on canvas, 24" x 12" February 2012) |
Academia is Dead. Now What?
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| Today, acedemia is not taking care of its own, but what are the alternatives? image by douglas reeser. |
There is a lot of hand-wringing among scholars going on right now out here in cyberspace. Much of what I'm reading is from and by anthropologists, but from the comments on these articles, it sounds as if the issue goes beyond anthropology and extends to all disciplines, from the sciences to the humanities and everything in between. The issues being discussed are systemic - in other words, there's a problem with the system. The model of the university as a business, with increased administration that is embedded in a larger system that is cutting funds to education, is pinching those at the bottom the hardest. From what I can tell, most agree that this is the case, however the roots and causes of the problem have not been fully agreed upon. And so, challenge is upon us.
The problems that I am referring to here, and to which I can relate, include issues such as the lack of a job market for young scholars, the turn towards adjunct-abuse at many institutions, the decrease in tenure track positions, stressors associated with decreased institutional funding, and the increase in administrative pressures to produce, produce, produce. In the mean time, PhD holders have reached record levels, and there are declarations that we have too many - that we have devalued the degree. Simply search for "number of PhDs" and the top results include the following titles (Google search on September 2, 2012) "Doctoral degrees: The disposable academic," "Education: The PhD factory, " "The PhD problem: are we giving out too many degrees?", "From Graduate School to Welfare," and "The Number of PhDs on Food Stamps Triples." Things are not looking so great if you're one of the many pursuing your doctorate degree, a camp in which I squarely fall.
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